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Hinch JdeC: 2001. Teaching Perspectives: Lip service. Flute Australasia, Spring/Summer, pp 24-25.

Jacobs JP: 2001. Refinements to the Ergonomic Model for Keyboard Fingering of Parncutt, Sloboda, Clarke, Raekallio, and Desain. Music Perception, 18(4) / Summer, pp 505-511.

Muller S: 2001. Protesting Relevance: John Joubert. South African Journal of Musicology, 19/20, pp 33-46.

Pavlicevic M: 2001. A child in Time and in Health: Guiding Images in Music Therapy. British Journal of Music Therapy, 15(1), pp 14-21.

Pavlicevic M: 2001. Improvisation in music therapy: Does a musical analysis suffice?. South African Journal of Musicology, 19/20, pp 17-25.

Roos V, Prinsloo A, Van Niekerk C: 2001. Promoting optimal development of homeless children in an inter-disciplinary context. Maatskaplike Werk Navorser-Praktisyn / Social Work Practitioner - Researcher, 13(1) / Jun, pp 80-89.

Swanepoel PA, Van der Mescht HH: 2001. Die invloed van César Franck en Fritz Kreisler op die Sonate vir soloviool op 27 no 4 van Eugène Ysaÿe. Musicus, 29(2), pp 33-44.

Van der Mescht HH: 2001. Die oorsprong van die woordteks van Herbert Howells se twee Afrikaanse liedere. Tydskrif vir Geesteswetenskappe, 41(1), pp 53-62.

Van der Mescht HH: 2001. Herbert Howells's 'Two Arikaans songs' (1929). Acta Academica, 33(3), pp 231-251.

Van der Mescht HH: 2001. Practise what you preach: Stanford's German songs. Acta Academica, 33(1), pp 65-98.

Walton CRC: 2001. '...my duty to defend the truth'. Erich Schmid in Arnold Schoenberg's Berlin Composition Class. Tempo(218) / Oct, pp 15-19.

Walton CRC: 2001. Composer in Interview: Edward Rushton - An Englishman in Switzerland. Tempo(218) / Oct, pp 7-8,10.

Walton CRC: 2001. Verrat? Othmar Schoeck und die moderne. Neue Zeitschrift für Musik, 3(162) / May, pp 44-47.